For Immediate Release

KONGOS

July 1, 2014 at Mill City Nights

Event Details: KONGOS

Venue: Mill City Nights

Show Date/Time: Tuesday, July 1 at 8:30pm. Doors 8pm. Ages 15+

GA Tickets: $15 ($17 DOS)

Tickets will go on sale on Friday, April 11 at 10am at the Mill City Nights box office, online at AXS.com, at the Electric Fetus Minneapolis location, Discland in Bloomington, or by calling 1-888-9-AXS-TIX. For more information, please visit www.millcitynights.com.

http://www.millcitynights.com/events/detail/249766

http://www.kongos.com/

http://twitter.com/KONGOSMUSIC

The brothers KONGOS--multi-cultural, multi-faceted, multi-instrumentalistscraft a unique and irresistible sound spawned from shared DNA, diverse influences and spot-on melodic and lyrical sensibilities. On Lunatic, their 12-song Epic Records debut, the bands talent shines on Come With Me Now; the title an impossible-to-resist aural summons, the rock-alt crossover tune kicking off with the accordion, jumping into foot-stomping, staccato rhythms, slide guitar, and soaring epic soundscapes reminiscent of U2. Im Only Joking, whose lyrics hint at the albums title, hits the mark with decisive tribal rhythms and Pink Floyd-esque mysterious modern rock. Thanks to an earlier self-release of Lunatic, KONGOS are already stars overseas, playing their numerous hits off Lunatic for crowds of up to 65,000 at South African festivals and touring the Republic with Linkin Park, and the UK and Europe with AWOLNATION and Dispatch. With a Feb-March North American tour with Airborne Toxic Event and alternative and rock radio hot on Come With Me Now and Im Only Joking, (not to mention Come With Me Now in promos for NFL, NBA and ESPN), 2014 is quickly shaping up as the year the U.S. catches KONGOS fever.

KONGOS life story is as cinematic and captivating as their songs. The siblings, who range in age from 25 (Danny) to 32 (Johnny), were born to popular 70s South African/ British singer-songwriter John Kongos ("He's Gonna Step On You Again, Tokoloshe Man). Spending their early childhood in London (all were born there except Danny), then South Africa before settling in Phoenix in the mid-90s, the boys were exposed to a wide variety of sounds. We listened to everything from classical and opera like Puccini to African tribal music to 60s and 70s pop and rock, says Dylan, who cites African bassist Richard Bona, Béla Flecks Victor Wooten, and singing players like Sting and Paul McCartney as influences. His rhythm section partner, Jesse, who studied Jazz at ASU (as did Johnny), remembers learning boogie-woogie and classical piano as a child before getting into African drums, then jazz greats like Jack DeJohnette. As KONGOS grew together as a rock band, Jesse loved the vibe and feel of Zeppelins John Bonham, and currently admires gospel and hip hop drummers like Aaron Spears and Carlos McSwain. Danny also boasts a myriad of influences, ranging from Jeff Beck to Mahmoud Ahmed--the James Brown of Ethiopia--for his use of unconventional pentatonic scales. Johnny, who is a student of jazz and classical piano, cites Keith Jarrett as a hero, while his accordion playing draws from various world styles, including South African maskandi and Qawwali music.

Despite the immense and wide-ranging familial talent, the brothers were never groomed to be a family band, and as Jesse notes, our parents wanted us to learn music like you do Math or English. But the siblings joke, we got to a point where we didnt want to get a real job so we stuck with music. Johnny adds, Hey, most of the family bands everyone knows have been hugely successful! Of course, the Jackson 5, Beach Boys, the Osmond Brothers and more recently minted family bands like Kings of Leon do seem to have an advantage inherent in the DNA. That said, despite inborn talent, KONGOS are all about hard work and humility. Interestingly, each brother writes separately and brings completed songs to the group. Additionally, they dont necessarily sing their own songs. Live, Jesse and Dylan share lead vocals, while on Lunatic, Johnny and Danny also sing: It depends on whose voice works for that song, says Dylan. Its a lot of rehearsing to find where each voice fits; like Danny has a high register thats nice. To make the family and musical dynamic smooth, Johnny notes with a laugh: We are a democracy with an occasional dictator. Everything band-wise is done together, but recording we give the power to the songwriter. As for the day to day organization and business, its a total democracy.

Clearly, its a formula that works, and on Lunatic, they put all the pieces together into a cohesive whole. The brothers use a family recording studioTokoloshe Studios named after their fathers hit song. Completely self-contained, they write, produce, engineer and mix/master their music as well as direct, shoot and edit all their own music videos. Hardly hermits, since debuting at a high school talent show in 2003 (covering Eleanor Rigby!), beginning in 2007 KONGOS played out incessantly, focusing on building a following in Phoenix, garnering local airplay, West Coast tours, and eventually coveted slots at SXSW and CMJ. The years of dedication paid off: In 2011, hanging in the studio, the brothers decided to email a few songs to South African radio stations. 5FM, the biggest Top 40 station in South Africa, playlisted Im Only Joking, which hit No. 1 on the rock chart and was the most requested song for 11 weeks in a row. In retrospect it was one of those crazy stories; the guy opened the email and played it on the radio and it changed everything for us in South Africa, recalls Johnny. We didnt expect anything like what happened.

While live is where KONGOS uplifting, universal musicality reaches the masses, the studio is indeed a second home for the brothersas kids, at their fathers home studio in London, Elton Johns or Cat Stevens group was often the house band, while the elder Kongos worked with Mutt Lange to program Def Leppards drums for Pyromania. The total lifelong musical immersion makes Lunaticand KONGOSa rare breed of band. Fluent in numerous styles and eras, still, at the end of the day, a rock band. Were making rock and pop music and our more obscure influences may only come out when we are attacking an extended solo, they explain. But we definitely relate to bigger bands like Daft Punk, Coldplay and Queens of the Stone Age.

The band also agreed that they were happy with Lunatic being a diverse record: We each have different styles and personalities, so we embrace that. We have a KONGOS sound which is not exactly assigned, but we have an essence, a picture in our mind of what it will sound like. The press concur, praising the bands classic rock elements, African rhythms and Balkan beats and their incontestable youthful talent[and] emotional outpourings. The bottom line? KONGOS want to write music that we like listening to. Fortunately, with tastes as diverse as theirs, thats a winning proposition for fans of all ages and predilections.